Post by mummifiedstalin on Apr 26, 2011 12:53:20 GMT -5
I've been in contact with Rob Weiner, one of the editors of a recent collection of academic essays on MST3K, In the Peanut Gallery with MST3K. (It also has a new interview with Joel and Trace, a forward by Kevin, and an afterward by Mary Jo.) We thought it would be fun to do a little e-interview with him, especially since a large section of the book is devoted to the online communities that popped up around the show.
We've already had a couple of threads about the book here and here. There's also a sample essay online, although it may not be representative of the rest of the book.
Rob is an interesting guy, and I know that his other work would probably also be interesting to folk on here. He's a librarian at Texas Tech University who has written about how libraries can and should start collecting comics and graphic novels, as well as a collection of essays on Captain America. He's edited books on horror movies, the Grateful Dead, and James Bond.
I've got some questions I'd like to ask him, but I also wanted to see if anyone else might have something to ask. Whether you've read his book or not, feel free to post a question. (And if you haven't read the book, you can find out a lot about it by following the links above.) I'm sure he'd also be willing to talk about what it's like to study pop culture from an academic perspective in general, and I know that's something a lot of people here have at least a passing interest about.
So go ahead and post anything you'd like to ask. I'll collect the questions, and we'll do a little email interview. I'm also going to review his book, and anyone else (CHUCK!?) who's read it would be welcome to do so as well.
Edit: Here's the TOC of the book so that you can see what kinds of things the essays are about:
We've already had a couple of threads about the book here and here. There's also a sample essay online, although it may not be representative of the rest of the book.
Rob is an interesting guy, and I know that his other work would probably also be interesting to folk on here. He's a librarian at Texas Tech University who has written about how libraries can and should start collecting comics and graphic novels, as well as a collection of essays on Captain America. He's edited books on horror movies, the Grateful Dead, and James Bond.
I've got some questions I'd like to ask him, but I also wanted to see if anyone else might have something to ask. Whether you've read his book or not, feel free to post a question. (And if you haven't read the book, you can find out a lot about it by following the links above.) I'm sure he'd also be willing to talk about what it's like to study pop culture from an academic perspective in general, and I know that's something a lot of people here have at least a passing interest about.
So go ahead and post anything you'd like to ask. I'll collect the questions, and we'll do a little email interview. I'm also going to review his book, and anyone else (CHUCK!?) who's read it would be welcome to do so as well.
Edit: Here's the TOC of the book so that you can see what kinds of things the essays are about:
Table of Contents
Acknowledgments xi
Foreword: Riffing and You (and Riffing ) by Kevin Murphy 1
Foreword by Robert Moses Peaslee 3
Introduction by Robert G. Weiner and Shelley E. Barba 7
PART ONE: DIRECTORS
1. There’s Been an Accident at the Studio: How We Made Hobgoblins! 18
RICK SLOANE
2. “Remember: Only you can prevent Roger Corman”: The King of the Bs Under Siege 29
CYNTHIA J. MILLER
PART TWO: SPECIFIC FILMS
3. Communists and Cosmonauts in Mystery Science Theater 3000: De-Camping East Germany’s First Spaceship on Venus/Silent Star 40
SEBASTIAN HEIDUSCHKE
4. The Semiotics of Spaceflight on the Satellite of Love 46
MATTHEW H. HERSCH
5. Resurrecting the Dead: Revival of Forgotten Films through Appropriation 55
CHERYL HICKS
PART THREE: FANDOM
6. Becoming “The Right People”: Fan-Generated Knowledge Building 66
KRIS M. MARKMAN and JOHN OVERHOLT
7. Converging Fan Cultures and the Labors of Fandom 76
MEGAN CONDIS
8. “Consume excrement and thus expire”: Conflict Resolution, “Fantagonism,” and alt.tv.mst3k 88
JEREMY GROSKOPF
9. Cinemasochism: Bad Movies and the People Who Love Them 101
DAVID RAY CARTER
PART FOUR: MEDIA TEXTS, AUDIENCES, AND THE CULTURE OF RIFFING
10. Double Poaching and the Subversive Operations of Riffing: “You kids with your hoola hoops and your Rosenbergs and your Communist agendas” 110
ORA MCWILLIAMS and JOSHUA RICHARDSON
11. Frame Work, Resistance and Co-optation: How Mystery Science Theater 3000 Positions Us Both In and Against Hegemonic Culture 120
MICHAEL DEAN
12. “Not too different from you or me”: The Paradox of Fiction, Joint Attention, and Longevity 127
MICHAEL DAVID ELAM
13. Mystery Science Theater 3000: A Media-Centered Exploration 135
ZACHARY GRIMM
14. Authorship and Text Remediation in Mystery Science Theater 3000 140
KALEB HAVENS
PART FIVE: MENTAL HYGIENE: THE MST3K SHORTS
15. “People were whiter back then”: Film Placement and In-Theater Commentary as Sociopolitical Dialogue 146
ERIN GIANNINI
16. The Endearing Educational Shorts 155
AMANDA R. KEELER
17. Writing History with Riffs: The Historiography of the “Shorts” 164
MIRANDA TEDHOLM
PART SIX: SATIRE AND GENDER
18. Robot Roll Call: Gypsy! (Hi Girls!) 172
MICHELE BRITTANY
19. What’s the Difference? Satire and Separation in That “Little Puppet Show” 178
ALANA HATLEY
PART SEVEN: TECHNOLOGY AND EPISODE COLLECTING
20. The Design and Speculative Technology of MST3K: Joel Hodgson and Trace Beaulieu at MIT 184
JASON BEGY and GENEROSO FIERRO
21. “Cambot Eye”: The Synthesis of Man, Machine and Spectatorship 197
DANIELLE REAY
22. MSTies and Mastery: Circulating the Tapes in a Digital Age 209
JOSEPH S. WALKER
PART EIGHT: HISTORY AND PRE-HISTORY
23. “Hamlet will return in Thunderball”: Historical Precedents of Riffing 220
MARK MCDERMOTT
24. From Techno-Isolation to Social Reconciliation 231
E. MITCHELL
25. Fishing with Cheese on a Blood Hook: MST3K’s Unlikely Origins on a Lake in the Woods of Wisconsin 242
ROBERT G. WEINER
Afterword by Mary Jo Pehl 253
About the Contributors 255
Index 259
Acknowledgments xi
Foreword: Riffing and You (and Riffing ) by Kevin Murphy 1
Foreword by Robert Moses Peaslee 3
Introduction by Robert G. Weiner and Shelley E. Barba 7
PART ONE: DIRECTORS
1. There’s Been an Accident at the Studio: How We Made Hobgoblins! 18
RICK SLOANE
2. “Remember: Only you can prevent Roger Corman”: The King of the Bs Under Siege 29
CYNTHIA J. MILLER
PART TWO: SPECIFIC FILMS
3. Communists and Cosmonauts in Mystery Science Theater 3000: De-Camping East Germany’s First Spaceship on Venus/Silent Star 40
SEBASTIAN HEIDUSCHKE
4. The Semiotics of Spaceflight on the Satellite of Love 46
MATTHEW H. HERSCH
5. Resurrecting the Dead: Revival of Forgotten Films through Appropriation 55
CHERYL HICKS
PART THREE: FANDOM
6. Becoming “The Right People”: Fan-Generated Knowledge Building 66
KRIS M. MARKMAN and JOHN OVERHOLT
7. Converging Fan Cultures and the Labors of Fandom 76
MEGAN CONDIS
8. “Consume excrement and thus expire”: Conflict Resolution, “Fantagonism,” and alt.tv.mst3k 88
JEREMY GROSKOPF
9. Cinemasochism: Bad Movies and the People Who Love Them 101
DAVID RAY CARTER
PART FOUR: MEDIA TEXTS, AUDIENCES, AND THE CULTURE OF RIFFING
10. Double Poaching and the Subversive Operations of Riffing: “You kids with your hoola hoops and your Rosenbergs and your Communist agendas” 110
ORA MCWILLIAMS and JOSHUA RICHARDSON
11. Frame Work, Resistance and Co-optation: How Mystery Science Theater 3000 Positions Us Both In and Against Hegemonic Culture 120
MICHAEL DEAN
12. “Not too different from you or me”: The Paradox of Fiction, Joint Attention, and Longevity 127
MICHAEL DAVID ELAM
13. Mystery Science Theater 3000: A Media-Centered Exploration 135
ZACHARY GRIMM
14. Authorship and Text Remediation in Mystery Science Theater 3000 140
KALEB HAVENS
PART FIVE: MENTAL HYGIENE: THE MST3K SHORTS
15. “People were whiter back then”: Film Placement and In-Theater Commentary as Sociopolitical Dialogue 146
ERIN GIANNINI
16. The Endearing Educational Shorts 155
AMANDA R. KEELER
17. Writing History with Riffs: The Historiography of the “Shorts” 164
MIRANDA TEDHOLM
PART SIX: SATIRE AND GENDER
18. Robot Roll Call: Gypsy! (Hi Girls!) 172
MICHELE BRITTANY
19. What’s the Difference? Satire and Separation in That “Little Puppet Show” 178
ALANA HATLEY
PART SEVEN: TECHNOLOGY AND EPISODE COLLECTING
20. The Design and Speculative Technology of MST3K: Joel Hodgson and Trace Beaulieu at MIT 184
JASON BEGY and GENEROSO FIERRO
21. “Cambot Eye”: The Synthesis of Man, Machine and Spectatorship 197
DANIELLE REAY
22. MSTies and Mastery: Circulating the Tapes in a Digital Age 209
JOSEPH S. WALKER
PART EIGHT: HISTORY AND PRE-HISTORY
23. “Hamlet will return in Thunderball”: Historical Precedents of Riffing 220
MARK MCDERMOTT
24. From Techno-Isolation to Social Reconciliation 231
E. MITCHELL
25. Fishing with Cheese on a Blood Hook: MST3K’s Unlikely Origins on a Lake in the Woods of Wisconsin 242
ROBERT G. WEINER
Afterword by Mary Jo Pehl 253
About the Contributors 255
Index 259