Batman: TAS Episode Reviews

[The Mad Plumber]

This board is in need of a new article. While I’m not the best at these articles, I thought I might get the ball rolling on something that our board members might take interest in. Given the parade of comic book movies we’ve been having recently, I’ve decided to do a review of the cartoon Batman: The Animated Series. While it is not necessarily amongst my top favorites, it is what I would recognize as being one of the finest comic book adaptations on television. Further, I have to recognize Batman as being the precursor to Gargoyles, which is a series that is much closer to my heart.

There are a couple things to note. The first thing is that I am not a comic book buff and that I have never read a single Batman comic nor do I ever intend to. The knowledge of the Batman franchise tends to be limited to this series, the film franchise, and the Adam West series. Furthermore, I haven’t seen the Adam West series in years, but I have been able to see the Adam West film recently.

Secondly, this is unfortunately going to be an incomplete article. I only possess two volumes of the series and I believe there is supposed to be four in total. I don’t have the funds or interest to purchase any further volumes at this current time. So, I’m only going to be able to review 56 episodes in total. If someone wishes to take up the torch after I am done, be my guest.

“On Leather Wings”
Directed by Kevin Altieri
Written by Mitch Brian

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Richard Moll as Harvey Dent
Lloyd Bochner as Mayor Hill
Robert Costanzo as Detective Bullock
Clive Revill as Alfred
Marc Singer as Langstrom-Manbat
Rene Auberjonois as Dr. March
Pat Musick as Female Lab Technician
Meredith Macrae as Francine

Synopsis:
When reports swarm about a giant bat terrorizing the citizens of Gotham City, Batman is immediately suspected as being the perpetrator. Our caped crusader conducts his own investigation into the matter and discovers that genetic engineering may be the culprit behind this mysterious man-sized bat.

Episode villain:
The Man-Bat

Review:
Here we have our “template” Batman episode that serves as the blueprint for how other episodes will model themselves. I would rate this episode as being an average episode, not coming anywhere close to the series’ best, but certainly not amongst its worst either. This episode goes to show that regular supervillains are not necessary to have a good episode. We’ll see a return of the Langstrom and the Man-Bat much later.

This show seems to presume that its viewers are familiar with the basic premise of the Batman franchise, figuring its viewers have already seen the Tim Burton film or the Adam West series. After all, Batman isn’t given a dramatic reveal in this episode; the first time we see him, he’s sitting at the Bat Computer reading a newspaper. For the most part, these episodes can be played in any order. In fact, this isn’t the first episode that aired when this series premiered. I’ll discuss more about that later.

This episode introduces Bullock, the “bad cop” to Commissioner Gordon’s “good cop”. Here we learn that Bullock is opposed to the vigilante activities of the Batman and is looking for any excuse to take militant action against him. Bullock will be discussed more in future episodes. Also, we get a brief cameo by Harvey Dent flipping a coin in the mayor’s office, a subtle hint of things to come.

A final thing to discuss is Kevin Conroy’s portrayals of both Batman and Bruce Wayne. Whenever Bruce Wayne is in public, he presents himself as something of an oafish, doltish schmuck as a means of throwing off any suspicion that he could be a threat to anybody. He uses a more upbeat, chipper voice and sometimes says dopey things to maintain the façade. When he is no longer burdened by the company of those that are unaware of his secret identity, Bruce will use a gruff, brooding voice that we are forced to presume is his regular, comfortable speaking voice. One wonders if this was the inspiration behind Christian Bale’s film performance.

High point:
The animation in this episode shines during Batman’s battle with the Man-Bat. Batman is shown to have incurred bruises and bleeding from his confrontation.

Low point:
Apparently, the key to transforming into a man-sized bat creature is a liquid encased in a prescription bottle. This must be the inspiration for Stephen Colbert’s “Prescott Pharmaceuticals”.

Funniest gag:
The Man-Bat is dragging Batman through the air. Pilots of a police airship are startled when Langstrom darts past their view. They’re further shocked when Batman smacks face-first into their windshield.

Best line:
“Two for dinner, sir?” - Alfred

“Christmas with the Joker”
Directed by Kent Butterworth
Written by Eddit Gorodetsky

Cast:
Kevin Conroy as Batman
Robert Costanzo as Detective Bullock
Bob Hastings as Commissioner Gordon
Clive Revill as Alfred
Mark Hamill as the Joker
Mari Devon as Summer Gleeson
Loren Lester as Robin

Synopsis:
Batman cannot bring himself to relax on Christmas Eve after the Joker escapes from Arkham Asylum. Dick persuades Bruce to sit down and watch It’s A Wonderful Life on television, but they instead find that Joker has made himself the host of a perverse Christmas television special. Now Batman and Robin are in a race to rescue a trio of hostages before Joker turns them into his special’s finale.

Episode villain:
The Joker

Review:
Joker is one of two supervillains in this series that is not given an origins episode. For a layman like me, the Joker is the most recognizable villain in the Batman franchise. This episode, however, is not a very good introduction to our comedic prince. In fact, for me, Joker episodes seem to have a bad reputation. What this episode suffers from mainly is that it’s not funny. The jokes, puns, and silliness are all cringe-worthy.

This episode also features our first appearance of Robin. Without having seen the series in years, it strikes me that Robin was a staple of every episode in the Adam West series. Robin appears in this series on an irregular basis. Supposedly, Dick Grayson is busy at college. Loren Lester’s portrayal differs greatly from Burt Ward’s campy portrayal. Lester plays Robin as a bit of a wisecracker and nothing like the Boy Scout who always said “Holy Something or the Other!”

I really love Mark Hamill. The man was the star of my favorite series of movies and he has such a good sense of humor about the whole thing. When I watched this series as a kid, I had no idea that Hamill was the voice behind the Joker. I’m glad Hamill has found something of a second life as a voice actor and I greatly appreciate his portrayal of Joker. If you listen to Hamill during the DVD featurettes, he would remark how he would practice various laughs while driving to work.

High point:
Batman opens Joker’s present and gets a face full of pie. Admittedly, it is a gratifying pay-off for watching the episode.

Low point:
After Batman uses a baseball bat to swat several of Joker’s toy planes out of the air, Robin remarks, “They don’t call you ‘Batman’ for nothing.” Buh.

Funniest gag:
I find it particularly ironic and unintentionally funny that Bruce and Dick are having trouble finding a channel playing It’s A Wonderful Life on Christmas Eve.

Best line:
“How about singing us a merry tune while you blow up the bridge?” - The Joker

“Nothing to Fear”
Directed by Boyd Kirkland
Written by Henry T. Gilroy and Sean Catherine Derek

Cast:
Kevin Conroy as Batman
Robert Costanzo as Detective Bullock
Bob Hastings as Commissioner Gordon
Clive Revill as Alfred
Mari Devon as Summer Gleeson
Kevin McCarthy as Dr. Long
Richard Moll as Computer
Henry Polic II as Scarecrow

Synopsis:
A madman armed with a toxin that causes fear-induced hallucinations is wreaking havoc on Gotham University. When Batman crosses paths with this mysterious Scarecrow, he becomes exposed to the toxin and suffers visions of his late father admonishing him for what he has done with his life.

Episode villain:
The Scarecrow

Review:
This is a fairly good origin story for who will serve as one of the lesser villains of the series. This episode was my introduction to the Scarecrow, who would play a supporting villain role in Batman Begins. It should be noted that Scarecrow’s mask would be refined in a future episode to be more demonic-looking.

I thought I should bring up the presence of traditional guns in this series. In series such as X-Men, guns that shoot bullets were nixed in favor of laser guns. Lasers in cartoon series are a curious concept; they can be powerful enough to destroy tanks or melt holes through walls, and yet a laser cannot seem to penetrate human skin. Batman cuts the crap and reintroduces lethal firearms. Sociopaths don’t play with lasers. Gargoyles, which draws heavily from Batman, would feature a mixture between laser weaponry and standard firearms. There is even an episode where Elisa Maza was severely wounded from a gunshot from her own gun.

Take note of a vault guard reading a “Tiny Toons” comic book.

High point:
As Bruce haggardly labors over the fabric from Scarecrow’s costume, we are given a small hint of the guilt he feels for the death of his parents.

Low point:
When Scarecrow’s goons fall from the zeppelin, they seem to enjoy the ridiculously good fortune of finding soft spots to break their falls. “Take this bus to Cuba.”

Funniest gag:
While Scarecrow is under the influence of his own toxin, he suffers a hallucination of Batman transforming into a gargoyle. Oh, the irony.

Best line:
“I am vengeance. I am the night. I am Batman!” - Batman

“The Last Laugh”
Directed by Kevin Altieri
Written by Carl Swenson

Cast:
Kevin Conroy as Batman
Bob Hastings as Driver
Efrem Zimbalist Jr. as Alfred
Mark Hamill as the Joker
Mari Devon as Summer Gleeson
Pat Fraley as Jest
Richard Moll as Computer

Synopsis:
The Joker is captaining a garbage barge that is emitting a disgusting odor throughout Gotham. The fumes from the barge are turning Gothamites into laughing lunatics. When Alfred himself becomes affected by the Joker’s toxin, Batman has to race to find a remedy to the foul menace.

Episode villain:
The Joker

Review:
I don’t think Bruce Timm thinks too highly of this episode, but I have to remark that it is worlds better than “Christmas with the Joker”. The jokes are funnier and that’s what I tend to expect from a villain who calls himself “Joker”. Admittedly, the villainous scheme is rather average, but this would have been a better introductory episode to the Joker than our previous entry. Note that this is the second time that Batman narrowly saves Joker from a fiery death. Also, where in the world did Joker get a hold of advanced robotic technology?

Take a look at the masks that Joker’s goons wear. One wonders if Christopher Nolan watched this episode before he began filming The Dark Knight.

This episode features our first appearance of Efrem Zimbalist Jr. who replaces Clive Revill as Alfred. I mean no disrespect to Mr. Revill because he was doing a satisfactory job. The man was the voice of the Emperor in The Empire Strikes Back. However, Zimbalist just seems to be a more natural and lovable voice for this role.

High point:
When Joker tries to spy Batman through the periscope, he’s surprised to find that the caped crusader is already on the barge staring right back at him. Batman then smacks the periscope which sends Joker on his back.

Low point:
I hate April Fools. When Alfred informs Bruce that he “drew him a bath”, we find out that it’s actually a lame pun that was more work that it was worth. Also, Bruce’s shower door closes by itself.

Funniest gag:
When Joker tells a terrible pun about the stock market, both of his goons visibly roll their eyes.

Best line:
“You killed Captain Clown. You killed Captain Clown!!” - The Joker

[The Mad Plumber]

“Pretty Poison”
Directed by Boyd Kirkland
Story by Paul Dini and Michael Reaves
Teleplay by Tom Ruegger

Cast:
Lloyd Bochner as Mayor Hill
Kevin Conroy as Batman
Robert Costanzo as Detective Bullock
Bob Hastings as Commissioner Gordon
Richard Moll as Harvey Dent
Efrem Zimbalist Jr. as Alfred
Diane Pershing as Poison Ivy
Ingrid Oliu as Montoya
Melissa Manchester as Neil Ross

Synopsis:
Harvey Dent suddenly falls into a poison-induced coma. Batman suspects that Dent’s girlfriend Pamela Isley may be the culprit to the poisoning. He learns of Isley’s secret identity as ecological terrorist Poison Ivy.

Episode villain:
Poison Ivy

Review:
This is not really a remarkable episode, but it is certainly not atrocious. We’ll see a better Poison Ivy episode down the line. This scheme, however, is a little too simplified.

An amusing gag during the beginning of this episode features Dent talking about Bruce Wayne with his girlfriend. The irony of his words is that they parallel or contradict what is happening with Batman’s pursuit of the fugitive.

Poison Ivy strikes me as a gigantic hypocrite, as evidenced by how she exploits the poisonous rose that she sought to preserve. Something also tells me that Ivy is meant as some sort of snipe at liberals. As evidenced by the specimens she preserves in her greenhouse, Ivy seems most interested in maintaining plants that fail to do any good for humanity. Her failure to prioritize and consider the larger picture at hand might be the writers’ efforts to mock far-left activists.

This episode features our first appearance of police officer Montoya. We’ll see more of her in a later episode.

High point:
A caption following the opening flashback highlights the irony of how the building of the prison has failed to really do any good in Gotham. In a later episode, we’ll get further evidence of what an abomination this joke of a prison is.

Low point:
When Batman infiltrates Poison Ivy’s greenhouse, he runs afoul a carnivorous plant somewhat resembling Audrey II with tentacles. This implies that the plant possesses a central nervous system. Oh, brother. It’s botany by dummies.

Funniest gag:
When Harvey recovers from his coma, Bruce talks to him about his relationship with Isley. Harvey’s responses are limited to “mm-hmm” or “hmm”.

Best line:
“I think Harvey’s engagement is off.” - Batman

“The Underdwellers”
Story by Tom Ruegger
Teleplay by Jules Dennis and Richard Mueller
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Victoria Carroll as Matron
Michael Pataki as Sewer King

Synopsis:
Batman investigates street thefts performed by children. What he finds is truly detestable: an army of abused and malnourished children under the marching orders of the Sewer King.

Episode villain:
The Sewer King

Review:
I don’t think this episode is regarded well by most. After giving this episode another view, I can see the problems. This is something of a sub-par episode, but it’s not really atrocious.

The Sewer King really succeeds in presenting himself as a disgusting and unsympathetic villain. Michael Pataki plays him with such zeal and vulgarity. However, these factors work against wanting to see this villain in any further stories. The Sewer King is clearly meant as a one-shot villain.

High point:
The animation looks impressive at various points.

Low point:
Why is Batman letting Frog run around Wayne Manor? Frog really pushes it when he finds the armory and starts to brandish a musket.

Funniest gag:
Batman is working in the Batcave and sees how much trouble Alfred is having with Frog.

Best line:
“You play chicken long enough, you fry.” - Batman

“P.O.V.”
Story by Mitch Brian
Teleplay by Sean Catherine Derek and Laren Bright
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Robert Costanzo as Detective Bullock
Bob Hastings as Commissioner Gordon
Robbie Benson as Wilkes
John Considine as Hackle
Ingrid Oliu as Montoya
Ron Perlman as Driller
Marc Tubert as Scarface

Synopsis:
Three Gotham police officers give their perspective in regards to a sting that had gone terribly wrong, with the possibility that the Batman was killed in the process. The conflicting nature of each of their stories ends up costing each one their badge.

Episode villains:
Anonymous mobsters

Review:
“P.O.V.” is one of the episode greats of this series. It is nice to see an episode that brings the men and women in blue into the foreground. This episode also brings some flesh into the character of Montoya who gets the opportunity to fight alongside Batman. I’m almost tempted to cite Montoya as being the precursor to Gargoyles’ Elisa Maza.

An issue that supposedly doesn’t get resolved is the fact that Bullock outright lied (whether knowingly or not) during the inquiry, spinning himself as the hero and Batman as the bumbling idiot. At this point, the question is not really answered as to whether Bullock is a trustworthy cop. In a future episode, we will find out that Batman has his own suspicions about Bullock.

Watch the battle scene at the end of the episode. Montoya uses some pretty dangerous tactics to stop the thugs.

High point:
Bullock’s flashback shows that the burly cop can really kick ass when the pressure is on.

Low point:
The lieutenant really hams it up during the investigation, going so far as to talk back to Gordon.

Funniest gag:
As Batman and Montoya are battling the criminals in the dock warehouse, one of the thugs tries to run Batman over with a forklift.



Best line:
“In spite of the fire, I had everything under control … and then Batman showed up and bungled everything! Lucky I was there to save his butt.” - Bullock

“The Forgotten”
Written by Jules Dennis, Richard Mueller, and Sean Catherine Derek
Directed by Boyd Kirkland

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Lorin Dreyfuss as Salvo
Dorian Harewood as Dan Riley
George Murdock as Boss Biggis
Ian Patrick Williams as Ivan
Richard Moll as Computer
Jay Thomas as Guard 1

Synopsis:
Indigents have been disappearing from homeless shelters in Gotham City. Bruce attempts to do an undercover investigation, disguising himself as a drifter. Thugs knock him out and take him to a slave labor mine. Because of the blow, Bruce has amnesia.

Episode villain:
Boss Biggis

Review:
This episode almost has the same vibe as “The Underdwellers”. However, I think it’s a rather decent episode. Again, though, it is nowhere near the series’ greats.

Murdock as Boss Biggis is disgustingly perfect. He successfully plays a man who constantly has food stuck in his teeth. The attitude of Biggis reminds me a lot of a few employers I’ve had in the past.

This episode also features a bit of action and cunning on part of Alfred who searches out Bruce’s missing car and plants a tracer on one of the villain’s trucks ... all while dressed in his butler uniform.

High point:
A dream sequence during Bruce’s ordeal hints at a certain level of self-loathing that haunts him. I’ll have more to say about that when I discuss Heart of Ice.

Low point:
Every time Salvo Smith opens his mouth, I die a little inside. He makes Morph from X-Men seem funny in comparison.

Funniest gag:
A thug tries to repeatedly punch Bruce, but instead misses and hits the crate behind him. I can’t help but be reminded of a similar scene from The Karate Kid sequels.

Best line:
“Your funeral.” - Bat Computer

[Afgncaap5]

I don't have much to add, except I always enjoy seeing people talk about this cartoon.

I'm lookin' forward to when you get around to Season 2's "If You're So Smart, Why Aren't You Rich?" story. And "Almost Got 'Im." Actually, most of season 2. Possibly my favorite season (though I've not gotten the 3rd or 4th on DVD to update my memories yet.)

[The Mad Plumber]

“Be a Clown”
Written by Ted Pedersen and Steve Hayes
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Lloyd Bochner as Mayor Hill
Jim Cummings as Real Jekko
Mari Devon as Summer Gleeson
Mark Hamill as the Joker
Justin Shenkarow as Jordan

Synopsis:
During a birthday party for Mayor Hill’s son Jordan, the birthday boy becomes enchanted with the magical talents of Jekko the Clown. However, nobody suspects that the birthday entertainer is actually the sociopath Joker who intends to kill the mayor and his constituents.

Episode villain:
The Joker

Review:
Once again, we have another sub-par Joker episode. It’s not as poor as “Christmas with the Joker”, but it does succeed in ranking lower than “The Last Laugh”. Joker is not having a good season.

Note that all it takes to warrant Joker’s wrath is mentioning his name on television. Joker is apparently the DC Comics version of Lord Voldemort. By the way, how does he manage to escape from Arkham so often? I would imagine that his antics would result in him getting thrown under tighter and tighter security. And yet, in a future episode, we’ll see that he’s put under such a loose leash that one questions as to what’s the point of even locking him up in the first place. However, to Joker’s credit, he does shoo away the kids when he plants the dynamite stick that he intends to exclusively use on the adult socialites.

I suppose most of this episode’s problems can be traced to the amount of focus that is placed on the obnoxious child character of Jordan. However, I do have to say that a story about a son who is forced to be nice to his father’s obnoxious friends does resonate with me a little.

A final note is that when I saw the lit-up amusement park at the end of the episode, I was expecting Dirty Harry to walk in and blow away the Joker.

High point:
The roller coaster chase is quite good for this episode, featuring great action and animation.

Low point:
After Batman escapes from the water tank, he proclaims, “Alright, Joker. Get ready for a little bat magic!” I don’t get it. Also, Joker’s eyes go all screwy in one frame; I know he’s crazy, but he doesn’t have Marty Feldman eyes.

Funniest gag:
After Batman stops the two gun-toting thugs, several reporters try to chase him down to answer questions. This is not the Adam West series, you dopes! He doesn’t do PR!

Best line:
“They don’t make straitjackets like they used to. I should know.” - The Joker

“Two-Face”
Story by Alan Burnett
Teleplay by Randy Rogel
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Richard Moll as Twoface
Murphy Cross as Grace
Mari Devon as Summer Gleeson
Bob Doqui as Doctor
Matt Landers as Frankie
Diane Michelle as Candace
Linda Gary as Dr. Nora Crest
Marc Tubert as Carlos
John Vernon as Rupert Thorne

Synopsis:
Criminal kingpin Rupert Thorne has uncovered dirt on Gotham’s district attorney Harvey Dent that could cost him the reelection. Dent is concealing a dual-personality, and the pressure that he’s been under is causing him to lose control of his dark side.

Episode villains:
Two-Face, Rupert Thorne

Review:
Now we address the first part of a great pair of episodes in this show’s run. Harvey Dent was previously seen in the episodes “On Leather Wings” and “Pretty Poison” to give him some substance and dimension. This episode shows the tragic events that will result in Dent’s descent and the creation of Two-Face.

First off, as a person with facial scars, I’d like to comment on something. When I came out of my coma, I think I was pretty aware that somewhat unpleasant things had happened to me; it was hard to ignore when I could touch my stitches with my tongue. When I got the opportunity to go to the restroom and look in the mirror, I was indeed very unhappy with what I saw. However, I didn’t let loose some blood-curdling scream like Harvey does in this episode. For me, it was silent acknowledgement. I would think an adult would have a more reserved reaction than what a teenager would have.

The animation in this episode is very impressive, with action and dialogue being framed superbly. When Harvey is talking to the shrink, a flash of lightning cleverly and artfully gives us a glimpse of the scarring that is destined to occur to Harvey.

A final thing to praise is some ironic symbolism of Harvey’s fall from glory as he says to his unconscious fiancé, “Goodbye, Grace.”

High point:
Richard Moll really shines in this episode with his ability to adjust his voice between the characters of Harvey Dent and Big Bad Harv.

Low point:
Not to be mean, but this childhood story that can be sourced as the origin of Big Bad Harv sounds really lame and timid. At least it’s not as bad as citing public schools as being the breeding grounds of sociopaths.

Funniest gag:
Bruce reassures Dent’s trust in him by remarking, “If there’s anything I know, it’s how to keep a secret.”

Best line:
“All men have something to hide. The brighter the picture, the darker the negative.” - Rupert Thorne

“Two-Face, Part II”
Written by Randy Rogel
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Efrem Zimbalist Jr. as Alfred
Murphy Cross
Bob Doqui as Doobie
Micky Dolenz as Min, Max
Matt Landers as Frankie
Diane Michelle as Candace
Richard Moll as Two-Face
John Vernon as Rupert Thorne

Synopsis:
Following the accident that scarred his face, Harvey Dent has lost control over his dual-personality and has become Two-Face. As Two-Face, he allows his life to be ruled by the flip of a coin and now seeks revenge against Rupert Thorne for causing his turmoil.

Episode villains:
Two-Face, Rupert Thorne

Review:
The animation in this episode is not as hot as it was in the previous part, but it’s nothing to scoff at either. The real highlight of this episode is the drama and writing which make this the better half of the Two-Face saga.

A great scene towards the beginning shows a dream sequence demonstrating not only Bruce’s own feelings of guilt towards Harvey’s condition, but also how he’s subconsciously linked it back to the deaths of his parents.

Some of you probably better know Richard Moll as the intimidating gargantuan bailiff in Night Court or as Big Ben in House. This man’s work in this animated series is quite enjoyable and Moll continues to be the highlight act in these two episodes. His best part is his meltdown at the end of the episode.

However, the beauty of this origins story is undercut by the fact that we never hear or see of Grace again after this episode. Sorry, Harv.

High point:
When Thorne threatens to kill Grace if Two-Face doesn’t surrender Thorne’s confidential file, Two-Face doesn’t flip his coin.

Low point:
Why does Rupert Thorne have so many businesses themed around the number two?

Funniest gag:
Um … Batman hits a thug with a platter? Alright, it’s not much of a funny episode.

Best line:
“Chance, Grace. Chance is everything. Whether you’re born or not, whether you live or die, whether you’re good or bad, it’s all arbitrary.” - Two-Face

“It’s Never Too Late”
Story by Tom Ruegger
Teleplay by Garin Wolf
Directed by Boyd Kirkland

Cast:
Kevin Conroy as Batman
Robert Costanzo as Bullock
Bob Hastings as Gordon
Townsend Coleman as Chick
Paul Dooley as Father Michael
Jeff Doucette as Gabe
Linda Gary as Constance Blaine
Katherine Helmond as Connie
Peter Jason as Mason
Alan Roberts as Young Arnie
Eugene Roche as Stromwell
John Vernon as Thorne
Josh Weiner as Michael

Synopsis:
Batman intervenes on a mob war between Arnold Stromwell and Rupert Thorne. Thorne wants Stromwell rubbed out for good, and Stromwell suspects Thorne as to being behind the disappearance of his son.

Episode villain:
Rupert Thorne

Review:
We’ll see Arnold Stromwell again in a future episode. In this episode, we learn that Stromwell gets sent into vapor lock whenever he sees the flashing railroad crossing sign because of a childhood incident that involved his brother.



Alright, alright. All joking aside, I was at first going to say that this was an okay episode. After watching it again, though, I came to realize that this episode is drawing a lot from or is parodying The Godfather. I could be wrong as I’ve never sat through the whole movie, but I think I’m right. And that doesn’t set well with me. So, in spite of the better-than-average animation we get with this episode, I’m going to denote as being slightly sub-par.

By the way, when Batman tells Stromwell to “talk to the DA”, I’m assuming he’s referring to whoever Harvey Dent was running against two episodes back. Boy, that’s got to be awkward.

High point:
Stromwell’s interactions with his brother and his turning over a new leaf do make for a satisfying resolution to this episode.

Low point:
I’M NOT GOING TO WATCH THE GODFATHER! LEAVE ME ALONE!

Funniest gag:
Bullock tries to touch Gordon’s wavy hair.

Best line:
“Wow, he’s really out there!” - Bum

[The Mad Plumber]

“I’ve Got Batman in My Basement”
Written by Sam Graham and Chris Hubbell
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Matthew Brooks as Sherman
Adam Carl as Nick
Lindsey Crouse as Mrs. Grant
Richard Gilliland as Frank
Denise Marco as Roberta
Rob Paulsen as Jay
Paul Williams as Penguin

Synopsis:
When Batman attempts to capture the Penguin, his foe douses him with a toxin that leaves him incapacitated. Fortunately, the young junior detective Sherman helps Batman escape before Penguin can kill the dark knight. As Batman recovers in Sherman’s basement, the Penguin and his goons close in.

Episode villain:
The Penguin

Review:
When you see episodes like this, you’re left to question as to how competent Batman really is. Our caped crusader had to be saved by a nerdy, bespectacled kid … named Sherman.



Before fully watching this episode again, I was expecting to be particularly harsh towards it. To be utterly fair, given the premise, the execution is actually pretty good. But, let’s face it: do you want to watch an episode where Batman spends most of the episode napping on the couch while some young wannabe armed with a Wal-Mart detective kit saves the day? I will comment that I don’t find Sherman or his girlfriend Roberta to be obnoxious characters, but they are partly to blame for Batman being in the predicament he is in.

Ultimately, it’s hard to defend episodes that insist that kids can be heroes to … because they can’t. Do you know why Sherman and Roberta are so successful in episodes like this? Because villains pull their punches. If Penguin wanted to, he could have filleted these two brats for their trouble. The mercy these two kids are shown indicates at least some level of morality in Penguin and his goons … or at least the heavy hand of censors keeping the writers at bay.

I would further note that Penguin is our other supervillain that is not given an origins episode.

High point:
Penguin is clinging for dear life as the Batmobile speeds away with Sherman behind the wheel. He probably wishes he thought ahead before climbing on top of the car.

Low point:
The kids manage to foil Penguin and his goons with Home Alone style traps. Also, Batman fights the Penguin with a screwdriver.

Funniest gag:
When Sherman’s mom inquires as to what is going on in the basement, Roberta tells her that they’ve got Batman down there and are protecting him. Sherman’s mom tells them not to make a mess.

Best line:
“Say, Batman, you wouldn’t be single, would you?” - Sherman

“Heart of Ice”
Written by Paul Dini
Directed by Bruce W. Timm

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Michael Ansara as Mr. Freeze
Mari Devon as Summer Gleeson
Mark Hamill as Ferris Boyle
Michael Bell
Robert David Hall
John Mariano

Synopsis:
Batman pursues a strange, new villain named Mr. Freeze who is orchestrating an assassination of Gothcorp CEO Ferris Boyle. As our caped crusader investigates Freeze’s motives, he learns of a tragic tale revealing Boyle as the greater villain.

Episode villain:
Mr. Freeze

Review:
If someone were to write an article listing the greatest moments in television history, it is my opinion that a well-constructed list should include “Heart of Ice”. This episode is without a doubt the absolute best that this series has to offer. It gives us a sympathetic villain born from a terrible tragedy. I sincerely cried at the end when I originally watched this.

Half of the credit to this episode’s success is Michael Ansara’s portrayal of Freeze. His near-monotone delivery combined with the audio filter effects make for a memorable and perfect performance.

In “The Forgotten”, we were given a hint at some level of self-loathing for Bruce. While Mr. Freeze is listed as this episode’s villain, the true monster in this episode is Boyle who stands as the culprit behind the horrible events that ruined Fries’ life … and it is people that Boyle that Batman is forced to hobnob with as Bruce Wayne. I’ve noted that Batman deliberately plays the character of Bruce Wayne as a thoughtless schmuck. Batman not only uses the façade as a means of protecting his identity, but also as a means of extracting information that would not be so easily given to a man in a black cape. Boyle partly reveals his true nature to Bruce because, after all, we rich folk got to stick together. One wonders if this nags on Bruce’s soul: that not only must he refrain from using his money and influence to be a positive role model to others, but that he must also maintain relationships with the true scum of Gotham City.

We as an audience are thrown into a difficult position: we typically side with the goals of Batman, but at the same time, we sympathize with the goals of Mr. Freeze. Batman seems to abhor above all things death and murder. On a shallow level, you could say that Batman’s goal is to save Ferris Boyle’s life. However, the deeper and truer goal is that Batman is trying to prevent Freeze from becoming a murderer. I’ll have more to say about revenge when I discuss “Robin’s Reckoning”.

This animation quality of this episode is pretty good, though not necessarily the series’ absolute best. There are glitches here or there. The funniest error that Bruce Timm and Paul Dini pointed out in the DVD commentary was a color television when all the other televisions in this series’ universe are monochrome.

Speaking of the DVD commentary, the two mentioned that Mark Hamill’s participation in this episode was what landed him his role as the Joker. This leaves me a little confused. I assumed these episodes were already listed on these DVDs by production order, and yet we already have three episodes that feature the Joker at this point.

High point:
In stark contrast to the mercy he bestowed upon a random goon whose legs were frozen at the beginning of the episode, Batman leaves Boyle in his half-frozen state, parting with the words, “Good night, humanitarian.”

Low point:
Boyle not only keeps an incriminating video in his company files, but apparently has also edited it from numerous cinematic angles to ensure that he looks like the bad guy.

Funniest gag:
When Mr. Freeze’s cold cannon arrives in front of the Gothcorp building, the young valet in front asks for the keys. He instead gets chased away by a cold glare from Freeze.

Best line:
“Think of it, Batman: to never again walk on a summer’s day with a hot wind in your face and a warm hand to hold. Oh, yes, I’d kill for that.” - Mr. Freeze

[The Mad Plumber]

“The Cat and the Claw”
Story by Sean Catherine Derek and Laren Bright
Teleplay by Jules Dennis and Richard Mueller
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Bob Hastings as Gordon
Adrienne Barbeau as Catwoman
Herb Edelman as Stern
Kate Mulgrew as Red Claw
Mary McDonald Lewis as Maven
Neil Ross
Frank Welker

Synopsis:
Batman meets his match in the form of the sexy and wily thief Catwoman. Little does our dark knight know that beneath the mask of this beautiful burglar is the wealthy animal rights activist Selina Kyle who is investigating a company that is the front of a terrorist organization.

Episode villains:
Catwoman, Red Claw

Review:
This and the following episode are the only episodes that I am going to list Catwoman as being the villain. We’ll have a few more episodes featuring Catwoman down the line, though not enough in my opinion.

I don’t know about Catwoman’s status in the comic books. Having recently seen the Adam West film, Catwoman was just as much of a morally-bereft villain as her three male cohorts. In this episode and the following, while I might list Catwoman as being one of the two episodic villains, her status as a villain is dubious. Indeed, she earns the status for being a cat burglar and an adversary of sorts to Batman. Beyond that, she seems to be a morally sound and sane character.

Catwoman brings to mind the character Poison Ivy, though if only to find points to contrast the two. Both are women with passionate leftist agendas. However, Poison Ivy turns her passion into an obsession, driven to the point that anthropomorphizes plants and has little to no regard for human life. Catwoman works to defend the rights of animals (which I can sympathize with), but she doesn’t demonstrate any sort of unrealistic obsession and I can’t find evidence that she regards animal life as being more important than human life.

Catwoman’s visual design for this series has its ups and downs. The general concept of the simplistic skintight cat suit has its natural appeal and I can liken it to what I enjoy about Cutey Honey’s costume design. However, either because of censorship issues or maybe just Bruce Timm’s art style, the suit ends up in various shots looking baggy or thick because lines that would indicate the suit being skintight are just missing. The costume design for this series seems to share a lot in common with Jim Balent’s comic book design, but I still prefer Balent’s design and art for various reasons.

So, having discussed a bit about Catwoman in this series, let’s talk about the episode. I should note that this episode was the pilot episode that premiered when I first saw this series. As you probably gathered, this episode’s strength is in its introduction of the character of Catwoman. Its weakness is the terrorist element, though that will be more worthy of discussion in the next episode. Overall, this is a good (I hesitate to use the word “fanservice”) episode. I should probably note that this episode is probably banking on the idea that its audience has already seen Batman Returns to know Catwoman’s secret identity of Selina Kyle.

There is an element that I should probably bring up at this point: utility belts. I bring it up now because there is a scene where Catwoman manages to slow down a would-be killer by laying down an array of cat-shaped spikes. Where was she keeping these on her person? She does wear a belt of sorts, but I thought that was for decoration. Batman’s utility belt appears to be a slim and simple yellow-colored belt. Yet, once he’s wearing it, he has access to firing grappling hooks, batarangs, throwing stars, gas pellets, gas masks, cameras, VHS tapes, and even a jar of chicken soup. That is one hell of a belt. I suppose you can choke it up to animation limitations. So, whenever you complain about Rob Leifeld’s abusive use of pockets and pouches, just remember: this is the other extreme.

High point:
Easily the best moments of this episode feature the seductive Catwoman, with her early confrontation with Batman being the absolute high point.

Low point:
The mobsters that Batman turns to for information about Red Claw seem painfully clichéd and their presence just comes off as completely unnecessary.

Funniest gag:
Selina expresses how much she pines for our caped crusader to Maven, “Still, I wish it were Batman standing behind this door.” She opens the door to reveal Bruce Wayne.

Best line:
“Never trifle with the affections of a woman. Until next time …” - Catwoman

“The Cat and the Claw, Part II”
Story by Sean Catherine Derek and Laren Bright
Teleplay by Jules Dennis and Richard Mueller
Directed by Dick Sebast

Cast:
Kevin Conroy as Batman
Bob Hastings as Gordon
Efrem Zimbalist Jr. as Alfred
Adrienne Barbeau as Catwoman-Selina
Mary McDonald Lewis as Maven
Kate Mulgrew as Red Claw
Herb Edelman as Stern
Steve McGowan
Neil Ross
Frank Welker

Synopsis:
The terrorist Red Claw has gotten her hands on a deadly viral strain that could spell doom for Gotham. Meanwhile, after narrowly evading an attempt on Selina Kyle’s life, Batman realizes that Kyle is actually Catwoman.

Episode villains:
Catwoman, Red Claw

Review:
The previous episode helped introduce the lovely Catwoman. Now, unfortunately, we must shift to the preposterous terrorist element of this plot.

First, let us reflect upon a time when we could have action romps about fighting terrorists that weren’t bursting at the seams with jingoism. Nevertheless, this episode is laughable for pitting Batman against what Gordon bragged as being the greatest terrorist of them all. This isn’t an atrocious episode, but it is a mediocre follow-up. The animation in this episode also pales in comparison to the previous.

Just how much of a threat is this Red Claw? She brags of “having brought countries to their knees”, yet she finds herself defeated by a man in a black cape that doesn’t use lethal force. We also see that she actually physically participates in her terrorist schemes. This tends to suggest that her organization is very small. Red Claw returns in an episode that I’m not going to be able to review. This begs to question: why didn’t any soldiers put a bullet in her head by the end of this episode? I know it’s gruesome, but it’s a legitimate question.

One thing I have to comment on really liking is this brief look of utter disappointment on Batman’s face when Maven tells him how much Catwoman is in love with him. When you think about, there are after all numerous reasons why Batman would be disappointed with such a revelation, considering his duty as well as is dual-identity.

High point:
Batman douses the compound in gasoline, destroys it with a grenade, and then drives the gasoline truck into a cargo helicopter. Even Michael Bay would appreciate the array of explosions.

Low point:
Maven demonstrates a stunning level of incompetence when trying to escape her would-be killer. Also, while Batman and Catwoman are indeed tied together in the compound, they’re not really tied to anything. Why don’t they just get up?

Funniest gag:
Gordon arrives and asks, “Batman, where’s the virus?” Batman responds, “It went up in smoke … with Red Claw’s future.” He’s no John Matrix, but it’ll have to do.

Best line:
“Welcome to my little resort. Plan on a short stay.” - Red Claw

“See No Evil”
Written by Martin Pasko
Directed by Dan Riba

Cast:
Kevin Conroy as Batman
Dick Erdman as Elliot
Danny Goldman as Sam Giddell
Michael Gross as Lloyd Ventrix
Ken Howard as Hartness
Elizabeth Moss as Kimmy
Chuck Olson as Security Guard
Brock Peters as Fox
Jean Smart as Helen

Synopsis:
Batman is perplexed by an invisible man committing robberies in Gotham City. His investigations lead him to an experimental plastic that was stolen by an ex-con, but the plastic could kill its wearer.

Episode villain:
Lloyd Ventrix

Review:
When it comes to episodes that do not feature a supervillain, “See No Evil” is one of the most enjoyable. This is a great episode. This might easily be a candidate for one of this series’ top ten. Episodes like this and “P.O.V.” stand as evidence that this show is at its best when it works with one-shot villains.

Part of this episode’s enjoyable nature is how hilarious it is. Beyond the “funniest gag” I have listed below, there is also the humor of a security guard getting nailed by a door when Batman arrives or the confused looks of a construction worker who thinks that Batman is yelling at him. We have an episode that’s funnier than most Joker episodes. That’s funny and sad.

When I was listening to this episode, I thought the voice of Ventrix sounded incredibly familiar. So, when I finally saw the credits, I had a good and pleasant laugh when I realized it was Michael Gross (which some of you better know from Family Ties). Also note that this is our first appearance of the late Brock Peters as Wayne Enterprise executive Lucius Fox. Peters is probably best known for his role in To Kill a Mockingbird.

A final thing to note is that, per my sexist nature, I have to admit that Kimmy’s mom is hot.

High point:
The high point is also this episode’s funniest gag. So, I’ll just note that the animation in this episode is top notch.

Low point:
When Batman threw paint over the invisible Ventrix, his head was part of his body that was covered by the paint. Logically, Ventrix would not be able to see during this moment and the animation tends to suggest that he could see the entire time.

Funniest gag:
Batman grabs hold of Ventrix’s invisible car as it speeds past. This leads to the wildly hilarious sequence where, to passersby, Batman is seemingly flying about like Superman. Thus, it looks like Batman is causing all sorts of carnage like ripping the doors off of parked cars and blowing up gas stations. What’s particularly great is that it’s played so deadpan.

Best line:
“Peek-a-boo.” - Batman

“Beware the Gray Ghost”
Story by Dennis O’Flaherty and Tom Ruegger
Teleplay by Garin Wolf and Tom Ruegger
Directed by Boyd Kirkland

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Efrem Zimbalist Jr. as Alfred
Mari Devon as Summer Gleeson
Joe Leahy as Narrator
Bruce W. Timm as Ted Dymer
Adam West as Gray Ghost

Synopsis:
A series of bombings in Gotham share an uncanny resemblance to an episode of The Gray Ghost, a serial that Bruce admired as a child. To find the answer as to how these bombings are being executed, Batman tracks down Simon Trent, a washed-up actor who played the titular hero of the serial.

Episode villain:
The Mad Bomber

Review:
This episode was great when I was kid even before I realized that it was Adam West who was voicing our guest hero. We might pick on Adam West … oh, do we pick on Adam West … but the guy is a real trooper and it is beyond awesome that he participates in this episode.



The makers of this episode seem to be paying loving homage to the serials of long ago. Given some of the serials that we’ve seen on Mystery Science Theater 3000, I wonder if there were at least one or two as awesome as The Gray Ghost looked in flashbacks.

The quality of the animation in this episode fluctuates. It looks exceptional in places (particularly in the beginning of the episode), but there are spots were there appears to be a lot of dust on the cels. Also, this episode features the infamous “rubber Batmobile”.

When I see this episode, it makes me wonder if the Gray Ghost was ever adopted into the DC Comics universe. After all, from what I heard, Mr. Freeze’s backstory and the character of Harley Quinn were elements that originated in this series and, from what I’m to understand, they’ve been adopted into the comic books. I know that Gray Ghost is just a Batman clone … but he’s got such a cool costume!

The big People magazine featured at the end makes mention of Matt Hagen, who we’ll see a little later. Close scrutiny of the Gray Ghost reels shows “Terror in the Sky” being the name of one of the episodes. Also, listen for Bruce Timm playing the Mad Bomber.

High point:
After Batman is rescued from the explosions by the mysterious rope, he looks up and stands in awe of the Gray Ghost, indicating that Trent has decided to wear his costume again as a true hero.

Low point:
There’s some real level of disappointment with the final battle. While it’s cool that it’s Gray Ghost who saves the day by swooping in and knocking down the Mad Bomber, that’s about it. Batman fires his grappling hook and goes up … for some reason. It makes no sense because he ends up picking up the Mad Bomber and then running out of the exploding toy store with Gray Ghost on foot. Maybe there was some bungling of the ending on part of the animators.

Funniest gag:
Alfred cleans the counter of the film geek.

Best line:
“No! My toys! My toys! My beautiful toys!” - The Mad Bomber

“Prophecy of Doom”
Story by Dennis Marks
Teleplay by Sean Catherine Derek
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Michael Des Barres as Nostromos
Aron Kincaid as Lucas
Heather Locklear as Lisa
William Windom as Ethan

Synopsis:
Gotham’s wealthiest have turned their trust to a psychic who goes by Nostromos. Batman smells a scam and decides that Bruce Wayne might just be having a recent crisis of faith.

Episode villain:
Nostromos

Review:
Question: is this episode an analogy for Scientology? I said earlier that episodes like “P.O.V.” and “See No Evil” stand as evidence that this series works best with one-shot villains. This episode might actually challenge that theory. It’s not easy to defend an episode where our favorite hero dukes it out with a psychic of all people. Next week: Batman versus Miss Cleo!

However, here’s the thing. I have to remember that, in my search for employment, I end up coming across the occasional scam every once and a while. It’s an essential skill to think critically and be cautious about scams. A kid’s show with an episode that teaches its audience to look out for bogus deals (and that psychics are full of crap) must be commended. Also, it’s not really bad. Still, it places nowhere near the greats. Two problems is that its animation is very average and that its story forces me to sympathize with rich people.

Barres does a nice job voice our episode’s villain. And Heather Locklear? Really? Okay.

High point:
The final battle is actually respectable. Batman has to battle Lucas, stop Nostromos, and rescue Lisa from the malfunctioning props.

Low point:
A security guard gives a subtle hint that somebody sabotaged Bruce’s personal elevator, talking about a repairman. However, no preemptive sabotage was actually executed. Lucas just throws a wrench into the gears when Bruce gets on board and then pours acid onto the cables. That scene with the security guard was highly contradictory and unnecessary.

Funniest gag:
I like the way Batman mockingly says, “Psychic vibrations, Alfred.”

Best line:
“Your turn to see the light.” - Batman

“Feat of Clay”
Story by Marv Wolfman and Michael Reaves
Teleplay by Marv Wolfman
Directed by Dick Sebast

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Ed Asner as Roland Daggett
Ed Begley Jr. as Germs
Mari Devon as Summer Gleeson
Dick Gautier as Teddy
Ron Perlman as Clayface
Brock Peters as Lucius Fox
Scott Valentine as Bell

Synopsis:
Lucius Fox is stunned when Bruce Wayne calls him to a secluded meeting with the true intention of killing him. However, what Fox doesn’t know is that who he met wasn’t Bruce Wayne at all. It was renowned actor Matt Hagen using a special cream that allows him to mold his face into any face he would like.

Episode villains:
Clayface, Roland Daggett

Review:
This episode introduces Roland Daggett who we will see a couple times down the line. A curious note is that he is voiced by Ed Asner who would later voice Hudson for the series Gargoyles.

A nice thing to commend is that this episode features two goons with distinct quirks. One of them is Bell, who is shown to have his ears constantly glued to the police band. The other I will mention in the next episode.

This episode is setup to a far better follow-up episode. There is unfortunately little to no reason to watch this episode multiple times. Maybe it would have benefited from better animation, especially when the Batwing pursues Bell. Nevertheless, this is an episode that I will probably typically skip just to get to the second part. All it does is set up plot points and it fails to do it in a very theatrical and enjoyable way.

High point:
The sound effects for the Batwing are pretty awesome.

Low point:
Bruce sneaks into Lucius Fox’s hospital room!? What were you thinking!?

Funniest gag:
There’s nothing that I can really list in this part.

Best line:
“Let’s just say I’m accepting your resignation, Mr. Fox.” - Bruce Wayne

[Mighty Jack]

I always love a good Catwoman story. I considered Selina something of an anti-hero (or anti-villain?). She does some heroic things, isn't truly evil... but there is the stealing gig, and she's not adverse to breaking the law to acheive her goals (for the good or bad).

Enjoying the read, keep up the good work.

[Weirdo Writer]

Sept 10, 2011 1:38:52 GMT -5 The Mad Plumber said:

Funniest gag:
I like the way Batman mockingly says, “Psychic vibrations, Alfred.”

Oh yeah, that was awesome. ;D

[The Mad Plumber]

Thanks to Affy, MJ, and Grady for your kind words. I am glad you are all appreciating the article so far and I hope you will continue to read. Continuing on ...

“Feat of Clay, Part II”
Story by Marv Wolfman and Michael Reaves
Teleplay by Michael Reaves
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Ed Asner as Roland Daggett
Ed Begley Jr. as Germs
Mari Devon as Summer Gleeson
Dick Gautier as Teddy
Ron Perlman as Clayface
Brock Peters as Lucius Fox

Synopsis:
Roland Daggett’s thugs inundated Matt Hagen with the face-altering cream, inadvertently transforming him into a hideous creature with remarkable shapeshifting abilities. Now calling himself Clayface, he has his sights set on rubbing out the man who sought to put him out of commission.

Episode villains:
Clayface, Roland Daggett

Review:
There is one reason and one reason alone that this episode is amongst this series’ absolute greats: the animation featured in this episode is the best that has ever been featured in this show. If the animation in this episode had been sub-par, then this episode wouldn’t even register a blip on my radar. I’m not trying to trash the writing or the acting, which were both satisfactory. I’m trying to say that this was an action-oriented episode, and the action that was being depicted demanded superior animation.

I first have to complement the design of Clayface, particularly his face. Illustrating Clayface seems to not only demand more lines than what are typically drawn on this series’ human characters, but also demands fierce continuity when animating sequences featuring the character. The morphing effects were particularly incredible as they featured lively animation with strands of clay flying out in multiple directions. I believe even Gerald Scarfe would be impressed by the animation sequences in this episode.

The animation particularly shines in the action sequences. This episode uses perspective angles we don’t typically see in this show. Watch a sequence where Batman swings into the television studio as the camera pans under and behind him. I also like little things such as when Batman shoves Clayface through a narrow door, causing his arms to be sheared off.

Ed Begley Jr. plays our second Daggett thug Germs. Begley’s character quirk is being a mysophobe. This leads to a somewhat amusing scene where Batman torments him with a jar supposed filled with a deadly virus.

High point:
The animation is the best this series has ever seen. Batman’s first scuffle with Clayface is particularly impressive as we see Clayface create multiple weapons from his body.

Low point:
In the television studio, Clayface reveals himself which sends the audience into a panicked uproar. When I originally watched this episode on television, there was a cut to black which lasted for about a second or two before the station went to commercials. I enjoyed the atmosphere and feeling that this black pause created. However, on DVD, this black pause is largely no longer intact and the episode resumes fairly instantly.

Funniest gag:
Ed Begley Jr.’s frightened cries are particularly hysterical.

Best line:
“You know what I’d have given for a death scene like this? Too bad I won’t get to … read the notices.” - Clayface

“Joker’s Favor”
Written by Paul Dini
Directed by Boyd Kirkland

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Robert Costanzo as Detective Bullock
Efrem Zimbalist Jr. as Alfred
Ed Begley Jr. as Charlie Collins
Mark Hamill as the Joker
Arleen Sorkin as Harley Quinn

Synopsis:
An already-bad day only manages to get worse for Charlie Collins when he ends up crosses paths with the Joker. Our comic prince spares Charlie’s life in exchange for a future favor. Two years later, as Commissioner Gordon is to be formally honored, Joker comes up with a perfect favor.

Episode villain:
The Joker

Review:
Oh, joy, another Joker episode. Let me reiterate that I love Mark Hamill and that I am absolutely glad that they cast him as the Joker. However, I still stand by my position that a Joker episode has to be funny. Having Mark Hamill chuckle a lot is not enough to make a Joker episode funny.

I have something of a mixed reaction to an episode that focuses on some nobody like Charlie Collins. The negative is that it’s highly unspectacular and it speaks volumes of how small time Joker works. However, it brings to mind some of the bullying we continue to suffer even when we become adults. I’m reminded of an incident, which was highly uncharacteristic of me, where I yelled at an annoying and bullying coworker. I was aghast at what I did, but I got my point across. I suppose Charlie can be something of a hero for us adults that tire of being pushed around by the bullies that try to take advantage of our reserve.

This episode features our first appearance of Joker’s squeeze Harley Quinn. From what I’ve read, Harley has since become a character in the DC Comics universe. I believe from this point on, Harley will be a staple of every Joker episode. Also, we have another instance of somebody reading a “Tiny Toons” comic book in this episode.

High point:
Charlie’s retaliation and revenge against Joker is a satisfying conclusion to this episode. Also, Harley looks pretty hot dressed as a cop.

Low point:
The segment where Harley cheers on the Joker goes on for too long and gets very grating. I’m left to wonder if they only had Sorkin record a short session and just looped the tape until the gag was over.

Funniest gag:
When Batman arrives and finds the bomb planted on Gordon, he uses his firing grapple hook to expel the bomb outside. When Joker hears the bomb and realizes that it exploded outside of the building, he quickly orders his cronies to the van. Harley however points out that the van was inadvertently destroyed by the bomb. Okay, that’s pretty funny.

Best line:
“This is how it ends, Joker. No big schemes. No grand fight to the finish with the Dark Knight. Tomorrow, all the papers will say is that the great Joker was found blown to bits in an alley alongside a miserable little nobody. Kind of funny. Ironic, really. See, I can destroy a man’s dreams, too. And that’s really the only dream you’ve got, isn’t it?” - Charlie

“Vendetta”
Written by Michael Reaves
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Robert Constanzo as Detective Bullock
Bob Hastings as Commissioner Gordon
Efrem Zimbalist Jr. as Alfred
Mari Devon as Summer Gleeson
Aron Kincaid as Killer Croc
Ingrid Oliu as Renee Montoya
John Vernon as Rupert Thorne

Synopsis:
During an attempted extradition, convict Spider Conway disappears following an explosion. Batman suspects that Harvey Bullock may have orchestrated the incident. Batman’s original suspicions seem to be confirmed when an eyewitness identifies Bullock as being another convict’s abductor, but further evidence shows that another party may be to blame for the disappearances.

Episode villains:
Killer Croc, Rupert Thorne

Review:
This is a very good episode that again brings Gotham’s boys in blue into the foreground. This particular episode focuses on Bullock, who in “P.O.V.” gave a testimony that temporarily cost him and two fellow officers their badges. Now we must inquire as to if he is a crooked cop.

Bullock and Batman are shown to be rivals in the same sense that Zenigata and Lupin the 3rd are rivals. By legal virtue alone, Bullock is opposed to the Batman’s vigilante actions, but I believe that even he recognizes Batman’s good intentions and he can put aside rivalry for the greater cause. I’m left to wonder if he’s aware of Gordon’s relationship with Batman. I suppose that, since the Bat Signal will be seen a little later in this series, Gordon’s relationship is probably not a secret.

I like Croc’s design in this series, particularly in the dimensions of his body and his facial design. Ingrid Oliu returns to voice Montoya in this episode. We did see Montoya in the previous episode, but she had no lines.

High point:
The animation and shading in this episode is generally very good. It particularly shines in Batman and Croc’s final battle which ends with an elaborate sequence of a sewer section collapsing.

Low point:
Bullock’s speech for Gleeson at the end of the episode is really hammy.

Funniest gag:
Bullock has something of a goofy face when he’s photographed in front of the diner.

Best line:
“Ancient history … yeah, right.” - Bullock

“Fear of Victory”
Written by Samuel Warren Joseph
Directed by Dick Sebast

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Mark Hamill as the Joker
Loren Lester as Robin
Brian Mitchell as Brian
Chuck Moshontz as Boseman
Henry Polick as Scarecrow
Tim Curry
Laurie Johnson
Tom Williams

Synopsis:
College athletes have been behaving bizarrely as of late, struck with intense sensations of fear that have cost them important games. One of these athletes includes Dick’s roommate, and Batman discovers that a telegram laced with a strange powder is to blame for the behavior. Unfortunately, Dick was also affected by this powder.

Episode villain:
The Scarecrow

Review:
Holy rusted metal, Robin! Where the hell have you been!?

This is an average episode. It doesn’t have the poignancy that “Nothing to Fear” had. In “Nothing to Fear”, Scarecrow’s victims (and Batman in particular) experienced hallucinations related to their personal fears and traumas. In this episode, Scarecrow’s victims just become pants-wetting pansies whenever the heat is on. We don’t get a chance to delve into Robin’s demons and we won’t get to until “Robin’s Reckoning”. Still, the animation is very clean and this is a fairly entertaining episode.

It’s particularly cool that Mark Hamill cameos during the Arkham scene. I’m a little stunned by Tim Curry’s name being in the credits. Where was he in this episode? Was he the nurse? Also, I kind of thought that the Arkham orderly and the bookie goon look incredibly similar. Batman appears to have inadvertently found the Brute Twins.

Whenever I hear the music swell in this episode, I expect to see Anthony Perkins barge in wearing a wig and brandishing a butcher’s knife. And Scarecrow wears a mask over his mask? Oh, yes, I thought I should also point out that some burglars try to crush Batman with stone gargoyles. Heh, I like pointing this stuff out.

High point:
I like the scene where the bookie’s goon follows Mr. Lucky to the champion stables.

Low point:
Bruce ends the episode saying, “You can always send a telegram.” Ugh. At least the episode didn’t end with everyone laughing as we fade to black.

Funniest gag:
As Batman swings out of the way of a falling stone gargoyle, he flies into an open window of an apartment room belonging to a voluptuous woman in a bathrobe. The woman is first shocked and then strangely turned on when she realizes who it is. Batman leaves through the front door, darting a smile to his admirer as he leaves. “Dear Penthouse Forum …”

Best line:
“The cowl is familiar, but I’m blanking on the face.” - The Joker

[The Mad Plumber]

“The Clock King”
Written by David Wise
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Lloyd Bochner as Mayor Hill
Bob Hastings as Commissioner Gordon
Efrem Zimbalist Jr. as Alfred
Mari Devon as Summer Gleeson
Jeff Bennett as Office Boy
Alan Rachins as Clock King

Synopsis:
Seven years ago, Temple Fugate’s business had gone bankrupt due to a $20 million judgment against his company. Fugate blames his poor fortune on then-lawyer Hamilton Hill relaying bad advice. Now dubbing himself “Clock King”, he’s concocting a scheme to humiliate and kill the good mayor.

Episode villain:
The Clock King

Review:
This is a hilarious and very entertaining episode featuring a villain with the funniest and most absurd backstory. It’s interesting because later we’ll see Riddler’s origins episode which also has to deal with a white collar revenge story.

The Clock King is a fascinating villain. He manages to best Batman not with brute force, but rather with careful timing and minimal movement. Fugate casually dodges Batman’s punches and effortlessly makes his way around the clock tower. He is the model of efficiency.

A very good sequence to note that helps illustrate Clock King’s abilities is how he temporarily disposes of Batman by baiting him into a bank safe. The trap he devises to kill Batman is very clever and the means that Batman gets his way out of the trap is very well done. However, I have to ask: why bother with the vacuum pump? Why didn’t he just explode a bomb and be done with Batman?

I don’t know what to think about Mayor Hill. It’s hard to say whether he’s a good character or a bad character. Looking at what a violent mess that Gotham City is, I find it difficult to defend him. When you see the luxurious mansion he lives in, you question as to whether he can stand to sacrifice a little so as to throw a little more into the budget of the police department. Maybe mayors just have the hardest jobs in the world and they end up only being remembered for all the bad things that happen in their administrations.

High point:
The battle in the clock tower is quite entertaining as we see Fugate casually get the better of Batman. The sequence reminds me of the clock tower sequences from The Castle of Cagliostro and The Great Mouse Detective.

Low point:
Actually, the hands of the clock tower will not align at 3:15 exactly. The actual time that the hands will align with one another is approximately at 3:16:22. To be fair, considering the thickness of the clock hands, it’s still possible that the hands will be close enough to kill Mayor Hill and thus Fugate’s statement might have merit.

Funniest gag:
In the clock tower, Batman pleads, “Give it up, Fugate. Hill committed no crime against you.” The Clock King responds, “He did worse: he made me late!” Oh, man, that never stops being funny!

Best line:
“Liar! Not that it matters anymore now that you have an appointment to keep at 3:15 precisely with the Grim Reaper!” - The Clock King

“Appointment in Crime Alley”
Written by Gerry Conway
Directed by Boyd Kirkland

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Ed Asner as Roland Daggett
Mari Devon as Summer Gleeson
Angel Harper as Woman
David L. Lander as Nitro
Diana Muldaur as Dr. Leslie Thompkins
Bob Ridgely as Madman
Alexander Simmons as Girl
Jeffrey Tambor as Crocker

Synopsis:
Roland Daggett commissions an arsonist to detonate the notorious “Crime Alley” in a fashion that makes it look like a gas rupture. Meanwhile, Batman has his own appointment to keep, but situations keep popping up.

Episode villain:
Roland Daggett

Review:
My opinion is probably in the minority, but I have to comment that this is a fairly good episode. I have to note one thing, however: this episode seems awfully padded. The central plots are Roland Daggett’s efforts to destroy Crime Alley and Batman’s appointment with Leslie. However, we interrupt this plot with Batman taking out some harassing thugs, diffusing a hostage situation, and stopping a runaway cable train. I would say that these things are in here to illustrate a day in the life of Batman. Not everyday does he get to tangle with sexy blondes in skintight catsuits.

There’s a reviewer I watch on Blip that does humorous reviews of Star Trek episodes. He’s particularly harsh on a character that’s performed by Muldaur, and I’m a little dismayed that his criticisms are so cutting that they could be linked to the actress herself. I have no animosity towards this actress myself and I think she’s got a great voice for the character of Leslie Thompkins. It’s roughly hinted that Thompkins is one of the few people aware of Batman’s identity.

Ed Asner is very good as Roland Daggett. I wonder if Asner’s liberal views inspired him to play such a repugnant character.

High point:
I like the sequence where Leslie closes her eyes in anticipation of her impending death. Her eyes shoot open when she hears the bomb dismantled by Batman. Also, I like how Batman and Daggett get into each other’s faces, as it illustrates Batman’s frustration with plutocrats like Daggett and Ferris Boyle.

Low point:
Aside from the padding I mentioned, there are some minor issues. Maybe it’s my colorblindness to blame, but it looks like to me that the black girl cries orange tears. Also, Leslie acts like her voice is muffled. However, she only has a handkerchief over her face and she doesn’t have a sock in her mouth. A person can still speak audibly with a handkerchief over one’s mouth.

Funniest gag:
I don’t think there are any real gags I can speak of. Damn, Roland Daggett is just so evil that he sucks the humor out of the world.

Best line:
“Good people still live in Crime Alley.” - Batman

[The Mad Plumber]

Sorry for the delay in a new post. Various things have kept me away from watching the DVDs and writing on them. This post should complete the first volume of episodes that I've got. This leaves one more volume of episodes that I'll be able to write on.

“Mad as a Hatter”
Written by Paul Dini
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Steve Bulen as Police Dispatcher
David Haskell as Billy
Roddy McDowall as the Hatter
Kimmy Robertson as Alice
Loretta Swit as Marcia Cates

Synopsis:
Jervis Tetch, a scientist working for Wayne Enterprises, successfully develops mind control technology. Tetch uses the technology to charm Alice from the typing pool.

Episode villain:
The Mad Hatter

Review:
This is not an episode that really interests me, but it’s not really incompetent. I think that one thing that really bothers me about this episode is that it reminds me of a depressing relationship back in high school.

As far as supervillains go, the Mad Hatter really comes across as being one of the more pedestrian of the bunch. This will probably offend some of you, but I have a slight tendency of confusing Hatter with the Scarecrow since they have related skills or schemes.

Looking at the credits, it’s nice to see that the lovely Loretta Swit guest-starred as Tetch’s boss. Also, I really owe a big apology to Kimmy Robertson. Before I checked the credits, I was under the presumption that Alice was being voiced by Victoria Jackson. I meant no offense at all towards Robertson.

High point:
No Futterwacken.

Low point:
Is Alice really such a dunce that she cannot pick up on that Jervis has a crush on her? Man, this episode is a real bummer.

Funniest gag:
Alice is telling Marcia Cates about a fight between her and her boyfriend. Cates responds, “Classic male fear of commitment.” Insert your own Frank Burns joke here.

Best line:
“Would not … could not … would not, could not … oh, could not join the dance.” - The Mad Hatter

“Dreams in Darkness”
Written by Judith & Garfield Reeves-Stevens
Directed by Dick Sebast

Cast:
Kevin Conroy as Batman
Efrem Zimbalist Jr. as Alfred
Richard Dysart as Dr. Bartholomew
Takayo Fischer as Dr. Wu
Loren Lester as Robin
Henry Polic II as Scarecrow
Ron Taylor as Orderly

Synopsis:
Batman’s efforts to stop a criminal from poisoning the spa’s water supply result in him getting exposed to a hallucinogenic gas, indicative that the Scarecrow is up to something. However, unable to discern fantasy from reality, Batman ends up landing a cell in Arkham Asylum.

Episode villain:
The Scarecrow

Review:
This is a fairly good episode, but hardly a favorite. I imagine the big selling point for this episode is the sight of Batman in a straightjacket and locked in Arkham Asylum.

I suppose the major thing to discuss is the stark similarity to this episode and the plot to the Christopher Nolan film Batman Begins. The scheme of Scarecrow releasing his patented hallucinogenic through Gotham’s water supply served as one of the subplots in the Nolan film.

I find it a little amusing to note that Loren Lester appears again to voice Robin after his long absence since “Christmas with the Joker”. The irony, though, is that Robin is technically not really in this episode. The only Robins we see are hallucinations.

Here’s a curious thing. During a scene where Dr. Bartholomew talks to Batman, he mentions the true names of criminals he’s brought to Arkham. One name he mentions is “Jack Napier”, which was the real name of the Joker from the 1989 film. So, is the identity of the Joker as Jack Napier canon in this series?

High point:
The animation’s high point is during a hallucination in the underground caverns. Batman is attacked by amorphous creatures resembling the Joker, Penguin, Two-Face, and Poison Ivy (complete with tentacles). He even sees Robin and Alfred supposedly betraying him before falling into Scarecrow’s maw.

Low point:
In “Be a Clown”, Batman manages to escape from a straightjacket whilst being hung upside-down in a water-filled tank. Given that the man is such an escape expert, surely he would have managed to break out of Arkham sooner than he did.

Funniest gag:
They keep fire axes out in the open in Arkham Asylum?

Best line:
“Joker’s got a bomb!” - Batman

[The Mad Plumber]

“Eternal Youth”
Written by Beth Bornstein
Directed by Kevin Altieri

Cast:
Kevin Conroy as Batman
Bob Hastings as Gordon
Efrem Zimbalist Jr. as Alfred
Julie Brown as Lily
Paddy Edwards as Maggie Page
Diane Pershing as Poison Ivy
Lynne Marie Stewart as Violet

Synopsis:
While Batman investigates the disappearances of industry moguls, Alfred and his friend Maggie vacation at a health spa that promises to rejuvenate its clients. Incidentally, Batman’s investigations seem to lead to the spa. Will Batman be quick enough to save his friends from a grisly fate?

Episode villain:
Poison Ivy

Review:
Life does begin at 60.

This is a particularly entertaining episode, worlds better than our initial introduction to Poison Ivy. Actually, when you think about it, the scheme is quite dark. If I’m to correctly interpret what Ivy is doing to her victims, essentially she’s transforming sentient living beings into plant life that lacks a central nervous system. It strikes me as a particularly frightening demise to have your essence slowly eaten away.

Here’s a question, though: why didn’t Alfred recognize Isly at the spa? I know our favorite butler doesn’t personally butt heads with these dastardly foes of Gotham, but surely he must have familiarity with Batman’s gallery of rogues.

Again, Ivy comes across as an unsympathetic, self-righteous hypocrite with no regard for human life. It begs to question as to why these two tarts are following her around, or why she allows these two twits to live and not subject them to her horrible scheme.

High point:
I particularly enjoy Ivy’s two sexy cohorts and their bodysuit designs.

Low point:
Efrem is doing a very good job as Alfred, but I can’t help feel embarrassed when I hear his “glug glug” effect when he drinks the spa water. Also, referring to Poison Ivy as “Joan of Bark” is a terrible pun.

Funniest gag:
I kind of laugh at the idea of what Maggie might be thinking when she arrives and sees that Bruce and Alfred are watching a strange video tape starring two beautiful women in togas.

Best line:
“Oh, my, they even speak in unison.” - Alfred

“Perchance to Dream”
Story by Laren Bright and Michael Reaves
Teleplay by Joe R. Lansdale
Directed by Boyd Kirkland

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Efrem Zimbalist Jr. as Alfred
Adrienne Barbeau as Catwoman
Brian Cummings as Reporter
Roddy McDowall as Mad Hatter
Diana Muldaur as Dr. Leslie Thompson

Synopsis:
Bruce wakes up to a startling discovery: his parents are alive and well, he’s engaged to Selina Kyle, and he isn’t and never has been the caped crusader Batman. While this may be everything that Bruce ever wanted, things don’t add up and he suspects that Batman may be behind the entire thing.

Episode villain:
The Mad Hatter

Review:
This is not much of an entertaining episode for me, but I have to congratulate it for being a clever spin on an old entertainment cliché.

First off, I’m going to throw out this spoiler, and it shouldn’t really be much of a spoiler since I’ve got 26 more episodes to discuss: the world in this episode is a dream. Now, “it was all a dream” episodes are amongst the most infuriating in entertainment. Alternate realities are what the comic book What If? is for. However, this puts a spin on the cliché, revealing near midway through the episode that this is a dream and having the struggle to be for Bruce to break out of it.

A curious thing is that this episode precedes the blockbuster film The Matrix. I often think about it: if you could choose between a flawed real world and a serene virtual reality, what would be your choice? I wonder if we are moving towards technology like that seen in The Matrix.

True to his heroic nature, however, Bruce rejects the fantasy. First off, he already has the ability to live a hedonistic and detached lifestyle and there is nothing obligating him to actually fight crime in Gotham. I will note, though, that all the money in the world won’t bring back his parents, which was the one thing that Hatter’s fantasy world manufactures. However, being that detached would make him as bad as the various plutocrats he rails against. Still, it must have been a hard decision for him; he did refer to his existence as Batman as a “nightmare”.

I should also commend the cleverness of this episode’s title, as it alludes to how Bruce ultimately breaks out of Hatter’s dream world.

High point:
Selina visits a disturbed Bruce in his office. He says to her, “I feel as if I’m someone else. It’s crazy, but I know I’m …” Selina then cuts him off, “Batman!” I love the look of shock in him as he does a take towards her and then quickly realizes that Selina was referring to what she sees outside.

Low point:
Bruce’s mother is not given much personality or examination. Clearly, Adrienne Barbeau is doubling as her voice, which in itself is fine. However, her only lines as Bruce’s mother are, “Bruce!” I’m wondering if they actually just recycled an earlier sound bite from when she was voicing Selina. By the way, I have Diana Muldaur’s role listed as Leslie Thompson and not Thompkins; that’s how it actually appears in the end credits.

Funniest gag:
Oy, this is a hard one. Um … I guess when the two dumpy cops try to pursue Bruce and just smack into the wall?

Best line:
“Are you the dreamer or merely part of someone’s dream?” - The Mad Hatter

[The Mad Plumber]

“The Cape and Cowl Conspiracy”
Written by Elliot S. Maggin
Directed by Frank Paur

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Bud Cort as Wormwood
John Rhys-Davies as Jozek
Gaille Heidemann as Matron
Mark Taylor as MC Whirter

Synopsis:
Josiah Wormwood, the master interrogator, has stolen bearer bonds intended for charity. Shortly after, he is commissioned for a new assignment: confiscate Batman’s cape and cowl.

Episode villain:
Josiah Wormwood

Review:
This episode again follows the rule that this series tends to perform better when Batman is being pitted again irregular villains. Sometimes it’s hard to defend this episode as it doesn’t appear to be very spectacular. However, it has a gratifying charm to it.

Tolerance of this episode, though, does depend on your tolerance for Batman being a master of disguise. The disguise he uses in this episode leads to a great payoff, while a disguise used in a later episode comes off as an incredible cop-out. Also, Wormwood must have a great deal of money to set up such elaborate traps.

I believe this episode also marks our first sight of the Bat Signal.

High point:
After Wormwood has pried the cape and cowl from Batman, Jozek finally reveals what he intends to use the cape and cowl for. Woodword’s reaction is priceless.

Low point:
Batman and Wormwood dueling with heavy barbells is just absolutely implausible. They should be wearing hernia belts.

Funniest gag:
During Baron’s speech, he remarks, “Unaccustomed as I am to being sought after…” It’s at this point that he’s nabbed by Batman and dragged around the hall.

Best line:
“Looking for someone, Batman? Sorry, you won’t find me in there. However, you will find … a trap!” - Wormwood

“Robin’s Reckoning”
Written by Randy Rogel
Directed by Dick Sebast

Cast:
Kevin Conroy as Batman
Bob Hastings as Commissioner Gordon
Efrem Zimbalist Jr. as Alfred
Paul Eiding as Dolan
Loren Lester as Robin
Eugene Roche as Stromwell
Joey Simmrin as Robin-Age 10
Thomas Wilson as Zucco
Ed Gilbert
Brion James
Diane Pershing
Roger Rose

Synopsis:
After eluding his grasp for so many years, Batman has finally gotten a lead on Tony Zucco, the extortionist responsible for the death of Dick Grayson’s parents.

Episode villain:
Tony Zucco

Review:
This is the first half of one of this series’ most important two-parters. Through flashbacks, we’re shown the events that lead to Dick Grayson becoming Robin the Boy Wonder.

This is a well done and somber episode. I appreciate how sad yet subtle it is played when we see Dick being driven away from his circus friends. A discussion between Dick and Bruce towards the end highlights the parallels in these two characters lives and the sympathy that Bruce had for the orphaned child.

I’m left wondering if I should be surprised at Robin’s desire for revenge. For the most part, Robin seems to be a pretty happy-go-lucky type of person. As the staff remark in the DVD extras, Robin was the character that was meant to pull Batman out of the darkness. As far as we know, Robin doesn’t suffer from a guilt complex like what Batman suffers from. It strikes me that the adult Robin wasn’t really brooding over Tony Zucco anymore … that is, until somebody mentions his name.

However, this does highlight that Batman has apparently been keeping up vigilance for the extortionist. When the goon at the beginning of the movie gives away his employer, he mentions the alias “Billy Marin”, not “Tony Zucco”. So, this roughly implies that Batman has been keeping tabs on Zucco ever since that day and has been maintaining rough familiarity with his aliases. I thought I might mention that one of Zucco’s aliases is “Sid the Squid”, which will be a nickname for a character in a future episode.

A final note is that the opening scene from this episode reminds me a lot of the final scene from Sam Raimi’s Darkman.

High point:
The animation and lighting looks really sharp starting with Batman’s undercover investigation.

Low point:
Why does that one thug that Batman shakes down in the alley happen to look like Lupin III!? My god, man, how did you fall so far!?

Funniest gag:
Robin complements Batman’s rich conversation skills during the stakeout.

Best line:
“That Grayson kid’s a real boy wonder.” - Acrobat